Saturday, June 28

Thom Kudla | What My Brain Told Me

You hear “Coming-of-age-story” tagged on to horrible movies and worse books all the time. The books are worse than the movies only because they take more of a time investment to realize that they were horrible. These stories usually revolve around young men, facing insurmountable odds, the denouement of which involving the acceptance of responsibility, the show-down of a major problem, and more often than not the getting of the girl. It’s that moment popular passage from the bible; that I’m about to butcher; “when I was I child I spake as a child… but when I became a man I put away childish things.” The young man becomes responsible for his fate- and that acceptance changes a life in dramatic degrees.

By that definition, young writer Thom Kudla's newest book, What My Brain Told Me, is certainly not a coming of age story. It is agnostic of heroism, devoid of triumph, and completely without pirates, the living dead, or massively-breasted girls. What My Brain Told Me is the tiny, glimmerless vignettes that make up a real life that lead to manhood. The men that our fathers became never got that way because they slayed vampires and schemed an elaborate plan to overthrow a tyrannical high-school principal. They got that way through moments that worked like whet-stones- scraping away the frail and flaccid flesh given to them by their mothers, in way that can usually only be entertaining by fast-forwarding through the film. Men aren’t able to be men because they were first able to overcome the devastating tight-end from Remington State- they are able to rise to the occastion because in the back of all boys’ heads they know it’s expected of them their whole life, it looms and impels them to do sometimes ludicrous things, sometimes very meek and cowardly things. That engine of manhood is an entirely unsexy thing- it is not fun- it is not funny- but somehow Thom managed to make it so.

What Thom has done is distill those moments- those real moments- into something palpable. Weaving a tapestry of minutia into a life, and as is the case in all lives; the sum is greater than its parts. For that reason, What My Brain Told Me is a coming of age tale. The two-dozen-or-so shards of youth that culminate in the discovery of ones’ self. There’s an ephemeral and tacit shift that happens somewhere in a boy’s twenties where they’re able to look back down the road they traveled. They stare down the horizon where they came from. They look down at their feet. Then look ahead at that road yet traveled and then back down when you say, “Okay feet, I’ll take it from here.”

Much like the short, subtle, Rumi-esque truths offered up in Thom’s book of poetry, Commencement, What My Brain Told Me strikes those same chords. Being light on metaphor and deep with honesty, Thom looks back over his last twenty-odd years to establish a portrait of the writer. As it’s impossible to understand what comes next until you understand what just happened, I believe that “What My Brain Told Me” harkens great things for Thom for two reasons.

One: This book is a testament to what just happened. These tiny, almost inconsequential moments in fact have grave consequences on a long enough time span. What My Brain Told Me is riddled with one anecdote after another with the premise of remembrance and progress. Thom has manifested these moments; has synthesized them; has soaked up and squeezed all the life back out of them in finely organized black ink indicative of the progress a promising young man makes. Now Thom can write what next.

Two: As a personal friend of Thom I know some of the things he went through. In fact, I’m proud to have been party to some of them and privileged to others. The slivers of heart-threatening moments of a boy’s possible inheritance of the household, the social dichotomies found between neighborhood kids on the black-top, to the Thom that I knew in college; restless and hungry for adventure and experience; lusting after beer, women, and paradoxes, stealing out to shacks in the back of a dorm for a fumbled step at self-realization. What My Brain Told Me documents those moments too blunt to be called poetic, but too incisive to be called prosaic.
Basically, it’s this book, told in several forms, perspectives, and narratives, draws big black X’s on a map, indicating the roadside monuments that make one life unique and peculiar from another. The road led to where Thom is sitting right now- confident and as self-assured as anyone can be. Now that the writer understands himself fully, it’s time for the really difficult work to begin- making others understand themselves.

Buy What My Brain Told Me very soon, through all major book retailers and Lulu.com.
Check out Thom's blog: http://thomkudla.com/


Myself and Thom at Pitchfork Music Festival, 2007


"Think enough to know you don’t have to think about anything."
-Thom Kudla

Wednesday, June 18

Jonathan Ball | Vectors Eat Toast, Too

I love this illustration. Two bear in love as they stand in the middle of some apocalyptic chaos. Click the picture for more.

Tuesday, June 17

Green Works | Reverse Graffiti

This is a cool little documentary about a "reverse graffiti" artist. Basically, rather than spraying art on the sides of onramps, trains, tunnels, etc., a reverse graffiti artist cleans off the grime, using the negative space as the art. This video was produced by Green Works. I bet even this civic benefit pisses off some people, which makes a great statement on its own. (btw, this picture is of some reverse graffiti in a tunnel in Sao Paulo, not from the artist working in San Francisco featured in the video.)

Saturday, June 14

Nick Swardson & Simon Rex | Palatial Regalia

This doesn't quite fit the format of the blog, but whatever. You might know Nick Swardson as the hilariously gay taco attendant, Terry, from Reno 911!. And I don't know what Simon Rex is from. I think I've seen him on MTV though. But these two dudes are in a video I find to be hysterically palatial.

Klaxons | Golden Skans (Sebastian Remix)

I was in a bar near my office last night that had this amazing remix playing. I could tell what song it was but for the life of me I couldn't remember what it was called or who sang it. I asked my friends but none of them knew. I wanted to know who it was so bad it felt like I had to pee so I asked around and not even the bartender could look it up because he said some dude just makes mixes for them and they play them and never know who they are. Finally, I placed it. "Golden Skans by Klaxons" I moaned out loud and everyone who I had asked gave me a look like, "dude, we wouldn't have known that anyway."

So I went searching online for it today- so far no luck. But I did find out that NME named this song their number one song of the year, #40 in their top 50 Indie Anthems of all time, and the album, Myths of Near Future, was their number one album of the year. NME must have found a really comfortable spot hanging from Klaxons' jock strap.

I did, however, find this remix that's pretty good. Not as good, but still pretty dope. Also, if you're an enthusiast of Klaxons remixes maybe you could help me out. Definitely a little bit trancey, steady kick the entire time, uneffected vocals, longer run-time than the original version. Also, if you're the DJ that brought that music in shoot me an email. You had a Coldplay remix that was so good I forgot it was Coldplay and thus didn't feel the sick to my ass.

Here's Sebastian's remix of Golden Skans:

LISTN |
Golden Skans (Sebastian Remix) - Klaxons

WTCH |

Friday, June 13

Ben Horton | $lave


I haven't been on a skateboard since I was 16 but that hasn't caused me to stop CSS from sending me catalogues and me occasionally checking in to see what kind of art is going on decks these days. I stumbled across Ben Horton, who owns $lave Skateboards, and does (all?) of the artwork that shows up on their decks. Looking into it more I found out he's got many non-board pieces. While there's something about the art on a skateboard getting smudged and scraped across itself that just does it for me, it's good to see some of that spirit translated into more traditional and permanent pieces.

Alexey Titarenko | City of Shadows


















These are gorgeous, long-exposure photos of Russian scenes. The pedestrians become ghosts moving over static, dysphoric streets.

More.

Subtle | Exiting Arm

I've been listening to this album for over a week now and I'll intermittently dig in my brainpockets for my very best adjectives. I have a special cellar of my best words that I only pull out in very special occasions like they're champagne (read: not sparkling white). Listening to Exiting Arm has elicited the following adjectives:

Prodigal.
Sonorous.
Declamatory.
Astonishing.

There are more, but they're written down on the back of a receipt somewhere in my house. But then came the problem of sewing all those words together in a way that accurately described the album without sounding verbose or like a charlatan. It's frustrating because I don't feel like I can accurately describe just how damn good this album is. Its beauty lies in how full of sound it is. Its ephemerality- that is, that there are moments of bliss that are surrounded by only fractionally less compelling passages. All the time punctuated by DoseOne's falsettoed, fast-lipped recitative and harmony.

So I've given up describing it. It's like a (subtly) nice day or a funny incident. There's no way of portending it, only experiencing it makes it worthwhile. So I'll tell you a little more about the album for the sake of context.

Exiting Arm is part three of a trilogy about a half-surreal, half-autobiographical character, dubbed Hour Hero Yes, created by frontman DoseOne (also of the Anticon Collective, Themselves, CloudDead, 13 & God, and more). I don't want to get too much into it because, really, there's too much to get into. The release of the album came out with an ancillary site (www.exitingarm.com) that contains art by DoseOne as well as his narrative giving the backdrop and details of the adventure of Hour Hero Yes as he fights against mediocrity, pop music, and a gaggle of evildoers with some heavy metaphorical gravitas.

It's fucking good. It nudged Portishead down a notch, kinging the hill of my running Albums of the Year list.

LISTN | Sick Soft Perfection
Sick Soft Perfection - Subtle

Tuesday, June 10

Sigur Rós | Með Suð í Eyrum Við Spilum Endalaust

I can't pronounce any of this. But at least I can stream it and that's good enough for me. I just started listening to it, so I'll come back here and update my terriblynonimportant opinion on it after I've spun it a couple of times.


Monday, June 9

Radiohead | In Scanners

I doubt the veracity of this Nude remix but it's still pretty cool. My hypothesis: actual dot-matrix printers, scanners, hard-drives, etc. were sampled and edited together into the song. Meaning the song was played on these components, but not programmed to perfection as it is in the video. Either way, really, really awesome.

Thanks, Ben, for passing this my way.

Thursday, June 5

Christian Simmons | Girl and Pencil

This is a fantastic and creepy surrealish short. (Yeah, we're using surrealish as a word now.) A girl finds a lewdly smiling pencil, makes like Harold and the Purple Crayon, and KAPOW you have a very well done project from the SCAD.

UPDATE

high-res .mov version HERE.




Wednesday, June 4

Lauren Bergman | New Delights For Your Parties!

Placed in the context of an “American Fantasy” setting the idealized female is portrayed at the juncture of myth and social realism. Through a language of culturally specific symbols the paintings explore both female identity and broader cultural shifts. The romanticized suburban setting is used not as a record of a specific place, but as iconic backdrop to an exploration of the fears and uncertainties that nip at the edges of the post-feminist landscape. By referencing the mid 20th century (a time period that exists in the cultural subconscious as an almost mythical time of American optimism and prosperity) the immediacy of the issues are removed from our current cultural climate and allows for emotional distance and perspective. The work probes a loss of cultural optimism and the ongoing irresolution of such post-feminist issues as sexuality versus intellectualism, passivity and acquiescence versus ambition. The work courts irony and the inner narratives are playful, yet confront the conflicting expectations of contemporary culture and the intricately complex ways in which we form our identities. Any text used is taken directly from advertisements. Using actual advertising text provides a cultural touchstone that while used in a humorous or sarcastic tone reflects on the barrage of messages with which we are bombarded that partially inform and define our identities, our gender roles, our body images, and our merit in society as a whole. While much of the narrative is intensely personal the underlying themes remain universal. The finished paintings are a pastiche of references and emotionally charged symbols that ultimately the viewer will respond to through their own personal history and emotional landscape.

Via: ArtistADay.com

Painter | Beautiful Woman

I stumbled across this the other day. I don't know who it is or who painted it but I think it's beautiful (and I'm right). I like how the light seems to bend around her... and that could totally be laziness, but it might be intentional. Either way, it definitely works.

Planes Mistaken For Stars | Thunder in the Night Forever

Planes Mistaken for Stars (RIP) was one of those bands that just couldn't write a bad song. Even in the early days when they were signed to the notoriously wimpy and heart-on-sleeve label, Deep Elm, they fit flush with the rest of their emo roster while maintaining their hardcore sensibilities and dirt-and-sweat demeanor. Over the years they got progressively darker and filthier. You could almost hear the dust that rested inside their amp cabinets and the grit-and-whiskey voice of singer/guitarist Jared O'Donnell grow thicker over the years. There was a marked and obvious separation between Fuck With Fire and its predecessor "knifeinthemarathon" where shit hit the fan.

Lineup changes, relationship woes, constant touring and an unfaltering ability to pour forth from their hearts tempered this band. Starting as an anthemic emo-core band that wailed over tracks on their self-titled debut, skidding into the dirtier post-hardcore sound of knifeinthemarathon, going down a rusty spiral on Fuck With Fire before releasing the magnum opus, Up In Them Guts, and transitioning into darkly soulful (or soulless, depending who's hearing it) broken and desperate stoner rock on their swansong, Mercy. Their career embodied an almost perfectly glorious descent into ashes. Their musical integrity and lyrical rawness and woundedness only grew stronger as their career went on. There is not an epitaph that's worthy of their demise.

Having seen them live several times, I can attest that they were one of those bands that played every show like it was their last. Unfortunately, that show came just a few months ago and they have just released a compilation of B-sides and earlier, hard-to-find tracks to sum up their career. Among those tracks is "Thunder In the Night Forever"; one of my favorite tracks of all time, by any band. So much so that I fully intend to get the song's rejoinder, "We ride to fight!" tattooed on me.

Listen and learn how rock is done right, children.

LISTN | Thunder In the Night Forever


(PS, I took all those pics)

Tuesday, June 3

Robyn | Be Mine (Ocelot Remix)

Just found this video for the Ocelot remix of "Be Mine" by Robyn. The song itself is housey as hell (though Ocelot is self-described as 'all the fun of trance without all that trance) but is full of really infectious hooks and a good steady beat. Is it too lame of me to say that this song is what helped me figure out how to use the elliptical machine at my gym?

The video is actually pretty cool too. I wasn't sure where it was going but stay tuned for about a minute and you'll see something red come in frame from the left that will catch your attention. (Oh, way to fuck up the surprise, YouTube's halfway-through-the-video-preview.)